iṇai (p. 45) s. Union, conjunction, communion, fellowship, இசைவு. 2. Comparison, parallel, similitude, resemblance, ஒப்பு. 3. (p.) Two things of a kind, a pair, couple, brace, துணை. 4. A companion, associate, partner, escort, protector, துணைவன். 5. Desire, இச்சை. 6. Women's hair, கூந்தல். இணையினெஞ்சமே. O! mind, debased beyond comparison. (வைராக்.) இறைகழலிணைமேவியவிமலர். Holy men who unite themselves to the feet of the Supreme Being. இணைக்கயல், s. A couple of carpfish, figures of which in gold, silver, &c., form one of the eight auspicious articles placed on special occasions as good omens, also as pleasing to the gods, அட் டமங்கலத்தொன்று. 2. One of the emblems of royalty, அரசசின்னத்தொன்று. இணைக்கல்லை, s. Two leaf-plates --as set before a religious mendicant or pandarum, while feeding him. இணைக்குப்போக, inf. [prop. இணை யாகப்போக.] To walk with another, to walk abreast. இணைக்குறளாசிரியப்பா, s. A kind of ஆசிரியப்பா, some of whose middle lines are shorter than the first or last line. இணைமணிமாலை, s. A poem consisting either of the kind of verses called வெண்பா and அகவல், or வெண்பா and கலித்துறை, in hundred verses and composed in accordance with the rule of அந்தாதி--one of the பிரபந்தம். இணைமுரண்டொடை, s. [in poetry.] A kind of ryhme where the first two feet in a line are opposed to each other either in word or meaning, ஓர்தொடை-as சீறடிப்பேரகலல்குல். இணைமோனைத்தொடை, s. A species of rhyme in which the first letters of each of the first two feet are the same. See தொடை. இணையசை, s. A compound metrical syllable, நிரையசை. இணையடி or கழலிணை, s. The two feet. இணையடிசூட, inf. To adorn, crown one's self with the feet (of the deity or guru) regarding them as flowers.--Note. To place the feet of another on one's head, is a figurative form for expressing great reverence, devotedness, respect, &c. இணையளபெடைத்தொடை, s. A verse in which the first letter of the first two feet is protracted. இணையிட்டுப்பார்க்க, inf. To compare one thing with another. இணையியைபுத்தொடை, s. The repetition of the same letter in the last two feet of any line. See தொடை. இணையெதுகைத்தொடை, s. [in poetry.] The rhyming of the second letters of the first two feet in each line. இணையெழுத்து, s. A substituted letter, போலியெழுத்து. இணைவிழைச்சு, s. Unchastity, unchaste desire, கற்பில்லாமை. (நீதிநெறி.) 2. Sexual desires, காமம். (p.) கண்ணினை, s. A pair of eyes. 138)

toṭai (p. 262) s. The thigh, in which sense, for butcher's meat, are, பெருந்தொடை, the upper part of the thigh; பின்னந்தொடை, a hind-quarter; முன்னந்தொடை, a fore-quarter of a sheep, &c. 2. Flower-garland. பூமாலை. 3. Bow-string, நாண். 4. Arrow, அம்பு. 5. Surrounding wall, bulwark, fortification, மதிற்சுற்று. 6. Block projecting from a wall to support a beam, சுவர்ப்புறத்து நீண்டவுத்திரம். 7. A bunch of flowers, பூங் கொத்து. 8. Verse, poetry, பாட்டு. 9. A series, train, connexion, succession, tissue, composition, commonly poetic, தொடர்ச்சி. 1. Rhyme in poetry, செய்யுளுறுப்பினொன் று, [ex தொடு. (v.)--There are five classes of rhyme, each containing eight verieties, and three single ones making fortythree in all. The five classes are: 1. மோ னை, மோனைத்தொடை, the rhyming of the initial letter of the line or foot through the stanza. The varieties of this class are: 1. அடிமோனை, முதன்மோனை, rhyming of the initial in the foot of each line. 2. இணைமோனை, of the first two feet in each line. 3. பொழிப்புமோனை, of every other foot. 4. ஓரூஉமோனை, of the first and fourth foot. 5. கூழைமோனை, of all the feet in the line but the last. 6. மேற்கதுவாய்மோனை, in every foot bu the second. 7. கீழ்க்கதுவாய்மோனை, of all the feet but the penultimate. 8. முற்றுமோ னை, in every foot. II. இயைபு, இயைபுத்தொ டை, the rhyming of the last feet or letters in the lines. The varieties are: 1. அடிஇயைபு, முதலியைபு, rhyming of the last letter of the first foot in each line. 2. இணையியைபு, of the last letter of the first two feet. 3. பொழிப்பியைபு, of the last letter of every other foot. 4. ஓரூஉவியைபு, of the last letter in the first and fourth. 5. கூழை யியைபு, of the last letter in each foot except the last. 6. மேற்கதுவாயியைபு, in the last letter of every foot but the second. 7. கிழ்க்கதுவாயியைபு, of the last letter in every foot but the penultimate. 8. முற்றிழைபு, of the last letter in all the feet. III. எதுகை, எதுகைத்தொடை, rhyming of the second letter of every line in the stanza, comprising, 1. அடியெதுகை, முதலெதுகை, rhyming of the second letter of the first foot in each line. 2. இணையெதுகை, in the second letter of the two feet. 3. பொழிப்பெதுகை. that of every other foot. 4. ஓரூஉவேதுகை, that of the first fourth. 5. கூழையெது கை, that of all but the last. 6. மேற்கதுவா யெதுகை, that of all but the second. 7. கீழ்க்கதுவாயெதுகை, that of all but the penultimate. 8. முற்றெதுகை, in the second letter of all the feet. IV. முரண், முரண்டொ டை, a kind of poetry consisting of words taken in contrast, or by antithesis, as இருள்பரந்தன்னமாநீர்மருங்கின், நிலவுகுவிந்தன்னவெண் மணலொருசிறை, by the side of the waters, dark as the wide spread nocturnal gloom, the white sand appeared, as if the moonlight had formed itself into heaps. Of this there are eight varieties, as 1. அடிமுரண்,முதன் முரண், contrast in the first foot of the lines, with one another. 2. இணைமுரண், that in the first two feet of the lines. 3. பொ ழிப்புமுரண், that in every other foot of the lines. 4. ஓரூஉமுரண், that in the first and fourth. 5. கூழைமுரண், contrast in all but the last. 6. மேற்கதுவாய்முரண், in all but the second. 7. கீழ்க்கதுவாய்முரண், in all but the penultimate. 8. முற்றுமுரண், in all the feet. V. அளபெடைத்தொடை, rhyme formed by அளபெடை, or lengthening a letter for a verse, which are of eight varieties, as 1. அடி யளபெடை, முதலளபெடை, forming rhyme by அளபெடை, in the first of each line. 2. இணையளபெடை, in the first two feet. 3. பொ ழிப்பளபெடை in every other foot. 4. ஓரூஉவள பெடை, in the first and fourth. 5. கூழையள பெடை, in all but the last. 6. மேற்கதுவாயள பெடை, in all but the second. 7. கீழ்க்கது வாயளபெடை, in all but the penultimate. 8. முற்றளபெடை, in all the feet. VI. அந்தாதி, அந்தாதித்தொடை, rhyme by the occurrence of the last syllable, word or words in the stanza as the first of the sacceeding. VII. இரட்டைத்தொடை, by the repetition of the same in every foot through the line. VIII. செந்தொடை, poetry of numbers without rhyme, a kind of blank verse. For further particulars, see these in their respective places. தொடைமுறியஅடிக்க, inf. To break one's thigh in beating him. தொடைமேல்தொடைபோட, inf. To sit with one thigh on the other (deemed impolite.) தொடைதட்டிவெள்ளாழர், s. [in burlesque.] Barbers. தொடையகராதி, s. A division of சது ரகராதி, which see. தொடையிலேதட்ட, inf. To strike the thigh in token of bravery, defiance, admiration, surprize, &c. தொடையைநிமிண்ட, inf. To pinch the thigh as a punishment of a school boy, &c. தொடைவாழை, s. A tumor on the thigh near the groin. 2. [prov.] A shrub whose leaves are used to cure the tumor. தொடைவாழைப்புறப்பட்டுக்கிடக்கிறான். He lies sick of the thigh-tumor. தொடைவிகற்பம், s. The different species or varieties of rhyme. 46)