akattiyaṉ (p. 2) --அகஸ்தியன், s. A poet and sage celebrated in the Ramayanam, Skandam and other works of antiquity. He is regarded as the former of the Tamil language which he is said to have learned of Skanda the son of Siva. He is also the reputed author of several works, still extant, in whole or in part, in the Tamil language; such as, a Grammar, Materia Medica, a work on Astrology, Astronomy, and several essays on the unity of the divine being, as opposed to the popular system of polytheism, &c. He is regarded as the son of both Mythra and Varuna by Urvasi; is represented to be of very short stature, and to have been born in a water jar. He is famed for having compressed and swallowed the ocean, for the sake of the celestials. Other wonderful stories are also told of him, and received with undoubted credence. He is considered as the regent of the star Canopus, குறுமுனி. Wils. p. 5. AGASTYA. அகத்தியர்குழம்பு, s. A famous compound cathartic. See குழம்பு. 6)

angkataṉ (p. 5) s. The name of a celebrated monkey, one of the heroes of the Ramayana, the son of Bali, வாலிமைந்தன். (c.) Wils. p. 1. ANGATHA. 13)

āriyppūmālai (p. 41) s. Wife of Kattavarayan, காத்தவராயன்மனைவி. 2. A gay, sprightly, wanton, young woman, அடங்கா ப்பெண். 28) *

itikācam (p. 45) s. Ancient heroic history--a class of ancient books including the B'harata and Ramayana--one of the sixty-four கலைஞானம். Wils. p. 13. ITIHASA. 155) *

kmpṉ (p. 96) s. A poet, the author of the Ramayana, ஓர்புலவன். கம்பன்வீட்டுக்கட்டுத்தறியுங்கவிபாடும். Even the stake in the cowstall of Kampen the poet knows how to compose verses; i. e. the example of conspicuous men has a tendency to influence the character of their dependents. 8)

kalai (p. 96) s. A digit or one-sixteenth of the moon's diameter, a phasis, சந்திரன்பங்கு. 2. A minute portion of time equal to thirty காட்டை, or about eight seconds,காலநுட்பம். 3. The sixtieth part of a பாகை, or of onethirtieth of a zodiacal sign or one Indian hour, ஓர்பாகையிலறுபதிலொன்று. Wils. p. 2. KALA. 4. A specific power of any of the superior deities as manifested in an incarnation, or in the assumption of a form, human or other for any specific purpose, the manifestation of a deity, forms of the female energy of deity as they appear in nature, வித்தியாதத்துவமேழிலொன்று. 5. The arts and sciences of which sixty-four are enumerated. (see கலைஞானம்.) 6. Learning, erudition, literature, philosophy, வித்தை. 7. A treatise, a book, நூல். 8. (p.) A male deer, a stag, ஆண்மான். 9. Cloth, சீலை. 1. The manifestation of a demon in a person temporarily possessed, பேயாட்டம். 11. Any one of the eight parts of a வண்ணம், ode. 12. A shark, சுறாமீன். 13. Capricornus of the zodiac, மகரவிராசி. 14. The male of the red monkey, ஆண்முசு. 15. Breath passing from the nostrils, இடைப்பிங்கலை. 16. The branch of a tree, மரக்கொம்பு. (சது.) 17. The solid part of timber, வைரம். 18. A girdle, அரைப்பட்டிகை. 19. A woman's exterior girdle, consisting of seven strings of jewels, மேகலை. 2. Brightness, splender, பிர காசம். 21. Tissues, சவ்வு. கலாநிதி, s. The moon, சந்திரன். கலைகுறைய, inf. To decrease as divinity in an idol by the neglect of pujah, &c. 2. (fig.) [in contempt.] To be cashiered, degraded, to lose office, decrease--as prosperity. கலைக்கொம்பு, s. Stag's horn--also called கலங்கொம்பு. கலைஞர், s. Poets, bards, philosophers, the literati, புலவர். கலைஞானம், s. Philosophy, literature, universal knowledge, கல்வியுணர்வு. 2. The arts and sciences, being sixty four, viz.: 1. அக்கரவிலக்கணம், the knowledge of spelling and reading, orthography, the science of reading. 2. இலி கிதம், caligraphy, penmanship. 3. கணி தம், the art of computation, arithmetic, the science of numbers. 4. வேதம், the Hindu Veda or law. 5. புராணம், a class of sacred books comprising the whole body of Hindu theology. 6. வியாகரணம், grammar. 7. நீதிசாத்திரம், jurisprudence. 8. சோதிடசாத்திரம், astronomy, including astroloy. 9. தருமசாத்திரம், ethics, moral philosophy, code of laws. 1. யோகசாத் திரம், the knowledge of abstract or silent devotion, rules for religious and abstract meditations. 11. மந்திரசாத்திரம், A division of the Vedas in the first practical part; it includes prayers and hymns addressed to particular deities and used at particular sacrifices, and it also comprehends incantations in religion. magic, medicine, and every other art or practice in which enchantments are used. 12. சகுணசாத்திரம், the science of prognosticating by omens and augury. 13. சிற்ப சாத்திரம், architecture and mechanics, symmetry, shapes in general including sculpture, painting features, lines, hair, &c., of the human system, and their various effects on life. 14.வைத்தியசாத்திரம், science of healing, physic, pharmacy and surgery which may include restoration to life of the dead, the reunion of severed limbs. &c. 15. உருவசாத்திரம், physiognomy, the art of discovering the temper and foreknowing the fortune by the features of the face, metoposcopy, chiromancy, the art of foretelling the events of life by inspecting the hand, சாமுத்திரிகம். 16. இதிகாசம், history, traditional accounts of former events, heroic history--as found in the Bharata and Ramayana. 17. காவியம், epic poetry --as சிந்தாமணி, நைடதம், &c. 18. அலங்காரம், science of rhetoric. 19. மதுரபாடணம், eloquence. 2. நாடகம், dramatic science. 21. நிருத்தம், the art of dancing. 22. சத்தப் பிரமம், directions for the modulation of sounds. 23. வீணை, the art of playing on the lute or stringed instruments. 24. வேணு. the art of playing on the flute or pipe. 25. மிருதங்கம், the art of beating the tambourine. 26. தாளம், the art of beating the cymbals. 27. அத்திரபரிட்சை, archery, the art of throwing darts. 28. கனகபரிட்சை, the art of an assayer in gold, &c. 29. இரதபரிட்சை, the art of driving chariots, charioteering. 3. கசபரிட்சை, the knowledge of the marks of an elephant. 31. அசுவபரிட்சை, the knowledge of the marks of a horse. 32. இரத் தினபரிட்சை, the art of examining and choosing gems, knowledge of precious stones. 33. பூமிபரிட்சை, the knowledge of the different kinds of soil, rules for determining by the surface, the nature and depth of soils, underneath which water is to be found, &c. 34. சங்கிராமவி லக்கணம், military art, tactics. 35. மல்ல யுத்தம், wrestling, pugilism, gymnastics, athletic art, boxing. 36. ஆகருடணம், the art of calling or summoning by enchantment. 37. உச்சாடணம், exorcism, dislodging devils or exciting them to injure others. 38. வித்துவேடணம், exciting hatred between parties by magical spells-one of the eight performances of enchantment. 39. மதனசாத்திரம், erotics, modus coeundi. 4. மோகனம், libidinous fascinations occasioned by enchantment. 41. வசீகரணம், the art of subduction by magic, the art of bringing one over to another's side or interest by enchant ment. 42. இரசவாதம், alchymy and chemistry. 43. காந்தருவவாதம் the knowledge of the condition of the celestial choristers. 44. பைபீலவாதம், the language of brute creatures from emmets upwards. 45. கவுத்துகவாதம், the art of restoring pleasure to a sorrowful mind. 46. தாதுவாதம், the knowledge of the pulse. 47. காரூடம். charms, incantations against poison. 48. நட்டம், information respecting any thing lost obtained by astronomical calculations. 49. முட்டி, information respecting any thing concealed in the palms of the hand (lit. in the fist.) 5. ஆகாயப்பிரவேசம், the art of entering into the air and becoming invisible. 51. ஆகாயமனம், the art of walking in the air. 52. பரகாயப்பிரவேசம், the power of leaving one's own body and entering another lifeless body or substance at pleasure. 53. அதிரிசயம், the power of making one's self invisible. 54. இந்திரசாலம், the art of conjuring, juggling, &c. 55. மகேந்திர சாலம், the art of performing wonders in heaven and earth. 56. அக்கினித்தம்பம், restraining the action of fire. 57. சலத் தம்பம், The art of counteracting the yielding quality of water so as to be able to walk on its surface. 58. வாயுத்தம்பம், the art of restraining the power of the wind. 59. திட்டித்தம்பம், the art of fascinating the eyes. 6. வாக்குத்தம்பம், the art of fascinating the mouth. 61. சுக்கிலத் தம்பம், the art of restraining the semen virile. 62. கனனத்தம்பம், the art of preventing the discovery of things concealed. 63. கட்கத்தம்பம், the art by which the power of sword or any other weapon is nullified. 64. அவத்தைப்பிர யோகம், the power of stationing the soul at pleasure, in any of the five stages in full energy by virtue of abstract devotion for converse with the deity. See அவத்தை. கலைநாதன், s. Argha, a divinity of the Jainas. கலைநாயகன், s. Budha, புத்தன். (திவாக.) கலைமகள்--கலைமடந்தை, s. Sarasvati--as the patroness of the arts, சரச்சுவதி. (p.) கலைமலைவு, s. Any thing contrary to the shasters, சாஸ்திரவிரோதம். கலைமான், s. A stag. கலையானத்தி--கலையூர்தி, s. Durga, துர்க்கை, (p.) கலையினன், s. The moon, சந்திரன். (p.) கலையுணர்த்துவோன்--கலையுணர்பு லவன், s. Skanda, கந்தன் (p.) கலையேற, inf. To increase as divinity in an idol with the increase of pujah, incantations, &c. 2. [in reproach.] To become arrogant by prosperity, promotion, &c. கலையோத, inf. To learn science, to acquire knowledge, நூலோத. கலைவல்லோர், s. Poets, philosophers, the learned, புலவர். வடகலை, s. The Sanscrit language. தென்கலை, s. The Tamil language. 272)

kvi (p. 98) s. Planet venus, சுக்கிரன். 2. A poet, a versifier, புலவன். Wils, p. 24. KAVI. 3. An ape, a monkey, குரங்கு. 4. A plant, பூனைக்காலி. 5. One of the four classes of poets, நாற்கவி. (See புலமையோர்.) 6. Poetry, verse, a stanza, பாட்டு. (p.) Poetry is of four kinds, viz.: 1. ஆசுகவி, an extemporaneous poem made by request, the theme, the kind of verse and some of the rhetorical figures to be wrought into it being given. 2. மதுரகவி, a poem in which sublime and gratifying ideas are couched in rich language, with varied appropriate rhymes and rhetorical figures, and all in a sweet flowing style. 3. சித்திரகவி, a poem variously of artfully composed. (See மிறைக் கவி.) 4. வித்தாரகவி, an extended poem, such as the great epics Ramayana and Bharata.--Note. Each of these four is also applied to the poet as well as to the poem. கவிகட்ட--கவிபாட inf. To make verses. கவிகற்றோர், s. Panegyrists attending a prince in his movements, மங்க லப்பாடகர். கவிசொல்ல, inf. To make poetry. கவிச்சக்கரவர்த்தி, s. A distinguished poet, புலவன். கவிஞர், s. Poets, bards, புலவர். 2. Scientific persons, கலைவல்்லோர். (p.) கவிதை, s. A poem, poetry, verse, a verse of poetry, stanza, பா. (p.) கவித்துவம், s. Poetic style or composition, புலமைத்தன்மை. கவிநாயகன், s. The person to whom a poem is dedicated, who is also the hero, கவிக்கிறைவன். கவிமாலை, s. Verses joined together. கவிரத்தினம், s. A treatise on versification. கவிராயன், s. (Hon.) A poet, புல வன். கவிவல்லோர்--கவிவாணர் s. Learned poets, bards, புலவர். கவிவீரராகவமுதலியார், s. The names of two eminent poets, viz.: அந்தக க்கவிவீரராகவமுதலியார்--முத்தமிழ்க்கவிவீரராகவமு தலியார். the first of whom is said to have been born blind. (Rott.) கவீச்சுரர், s. Eminent poets. 24)

kuṇṭiṉam (p. 119) --குண்டினபுரம், s. The city of Damayantee (தமையந்தி), the heroine of நைடதம்; the modern Condavir, ஓர்நகரம். Wils, p. 228. KUN'D'INA. 5)

cangkaram (p. 155) s. Mixture, promiscuousness--as of castes by indiscriminate commerce, &c., கலப்பு. W. p. 879. S'ANKARA. 2. War, fighting, battle, போர். W. p. 881. SANGARA. சங்கரசாதி, s. A mixed race of the higher and lower castes. (c.)--Note. The assertion may be ventured, that no Hindu of the present age is a pure, unadulterated descendant of either of the four principal castes recognised in Menu a Institutes. Consult the ancient poems of Ramayana and Bharata on this point. The adulteration of caste may result according to the Ramayana, from personal conduct as well as from birth. சங்கரர், s. Soldiers, warriors, போர் செய்வோர். Sometimes written, சங்கலர் and சங்கலார். (p.) சங்கரீகரணம், s. Mixing of castes, unnatural blending, சாதிக்கலப்பு. See சங்கரீகரணம். (p.) 34) *

cangkītam (p. 156) s. The art or science of music, இராகசாத்திரம். 2. A concert of music. vocal and instrumental, வாச்சியத்தோடு பாடுகை. W. p. 881. SANGEETA. 3. [in Christian usage.] A psalm, a hymn, சங்கீதப்பாட்டு. (c.) சங்கீதலோலன், s. One devoted to the pleasures of music, a votary of music; [ex லோலம், delight.] சங்கீதக்காரன், s. A singer. 2. (in Christian usage.) The psalmist. சங்கீதக்கியானம், s. A knowledge of music, skill in music. சங்கீதசாகித்தியம், s. Practice in music, the art of music. சங்கீதசுருதி, s. The pitch of a tune; also, the key note. சங்கீதம்பாட, inf. To sing according to art; to practise music. சங்கீதவாத்தியம்--சங்கீதமேளம், s. Music, vocal and instrumental. (c.) சங்கீதராமாயணம், s. Ramayana in odes and adapted to music. சங்கீதரத்னாகரம், s. A treatise on music. 20) *

cañcīvi (p. 157) --சஞ்சீவனி--சஞ்சீவினி, s. A revivifying medicament, restoring from swooning, death, &c., and insuring long life, உயிர்தருமருந்து. (Sa. Sanjeevanee.) சஞ்சீவிபர்வதம், s. The mount fabled in the Ramayana for its restorative roots or drugs. (c.) சஞ்சீவிமூலிகை, s. The restorative drug or root. மிருதசஞ்சீவி, s. The சஞ்சீவி restorative, that which restores the dead to life, அமிர்தசஞ்சீவினி; [ex மிருத, dead.] 19) *

cntircailm (p. 159) s. A mountain mentioned in the Ramayana, (lit.) mountain of the moon, ஓர்மலை. 101) *

cayantaṉam (p. 165) s. A chariot, a car, தேர். (p.) W. p. 959. SAYANDANA. 33) *

cayantaṉ (p. 165) s. Jayanta, the son of Indra, இந்திரன்மகன். 2. The moon, சந்தி ரன். (p.) W. p. 341. JAYANTA. 34)

cayanti (p. 165) s. [among the Vaishnavas.] The rising of the asterism உரோகிணி on the eighth of the dark half in August, considered as the time of the birth of Krishna, and celebrated as a sacred day, கிருஷ்ணசயந்தி.--Note. The term is now employed to denote the birth day in any of the incarnations of Vishnu--as சீராமசயந்தி, &c. W. p. 341. JAYANTEE. (c.) 36)