akattiyaṉ (p. 2) --அகஸ்தியன், s. A poet and sage celebrated in the Ramayanam, Skandam and other works of antiquity. He is regarded as the former of the Tamil language which he is said to have learned of Skanda the son of Siva. He is also the reputed author of several works, still extant, in whole or in part, in the Tamil language; such as, a Grammar, Materia Medica, a work on Astrology, Astronomy, and several essays on the unity of the divine being, as opposed to the popular system of polytheism, &c. He is regarded as the son of both Mythra and Varuna by Urvasi; is represented to be of very short stature, and to have been born in a water jar. He is famed for having compressed and swallowed the ocean, for the sake of the celestials. Other wonderful stories are also told of him, and received with undoubted credence. He is considered as the regent of the star Canopus, குறுமுனி. Wils. p. 5. AGASTYA. அகத்தியர்குழம்பு, s. A famous compound cathartic. See குழம்பு. 6)

aṭaiyāḷm (p. 8) s. Mark, sign, symbol, emblem, representation, இலாஞ்சனம். 27)

āngkiracaṉ (p. 36) --ஆங்கிரன--ஆங்கி ரா, s. One of the seven Rishis, represented by the seven stars forming the constellation of the great bear, சத்தவிருடிக ளிலொருவன். 23) *

āy (p. 40) கிறேன், ந்தேன், வேன், ஆய, v. a. To select, choose, cull, தெரிந்தெடுக்க. 2. To separate, garble, pick out the refuse --as stones from rice, withered leaves from greens, &c., களைந்துவிட. 3. To inquire, investigate, examine, consider, reflect, determine after investigation, ஆராய. (p.) 4. [prov.] To gather, pluck, nip off, பறிக்க. ஆய்ந்தோய்ந்துபாராதான் றான்சாவக்கடவன். He who does a thing inconsiderately should suffer loss. மணற்சோற்றிலேகல்லாய்தல். Selecting stones from the sand, represented as rice, by children in play. This is used for expressing that a writing, &c. is full of blunders. கீரையிற்புல்லாய்தல். Picking grass out of pot-herbs, when boiled and dished. ஆயாநெல், s. Rice uncleaned, unsifted. ஆயுமுதியோர், s. The aged who should be cared for. (p.) ஆயும்யாழ்முனி, s. The sage skilful on the lyre--Narada, நாரதர். (p.) ஆய்ந்தோர், s. Persons of knowledge and research, சான்றோர். 2. Brahmans, பார்ப்பார். (p.) ஆய்மதி, s. Intelligence. (p.) ஆய்மயில், s. A beautiful pea-cock. (p.) ஆய்மலர், s. Selected flower. 2. Lotus-flower. (p.) ஆய், v. noun. Searching, selecting. (p.) ஆய்தல், v. noun. Being nice, fine, subtle, minute, நுட்பமாய்ப் பார்த்தல். 2. Silent contemplation of the deity, தியா னித்தல். (p.) ஆய்வு, v. noun. Investigation, examination, attention, &c., ஆராய்ச்சி. (p.) 12)

āvuṭaiyār (p. 43) s. The lingum representing both sexes, பானவட்டம். 42) *

ilingkam (p. 54) s. A sign, mark, token, symbol, அடையாளம். 2. The penis. ஆண்குறி. 3. The phallus or linga--a representation of the membra viri et mulieris used in temples as an object of worship, and regarded as deity under this emblem. It is also made of gold or silver and worn in a casket on the arm, the breast, or some other part of the body, as an amulet and as an object of veneration and worship. In both these cases it represents both sexes in conjunction, being emblematical of Siva and Sacti, or the male and female energies of the deity, சிவலிங்கம். In the Agama philosophy three lingas are mentioned; viz.: 1. Streelinga (ஸ்திரீலிங்கம்) the same as விந்து--the female linga common to male and female--including in both sexes the organs for secreting and containing the seminal fluid. 2. Purshalinga (புருட லிங்கம்) same as நாதம் (Natha) male linga, also common to both sexes, including in both sexes the genital organs for transmitting and combining the two productions essential to generation. 3. Napunchakalinga, (நபுஞ்சகம்) same as அலி, Ali or Alilinga, the neuter or rather hermaphrodite linga, being the physiological foundation of the other two, both as to their organization and functions. The image linga often bears this name; these three are distinguished by the terms அவன், அவள், அது. They are physiological and are found in such works as தத்துவக்கட்டளை, &c. There is another class of lingas called பஞ்சலிங் கம், the five lingas, popularly represented as deity under the emblems of the five elements, and worshipped in as many celebrated temples, viz.: பிருதிவிலிங்கம், earth-linga, worshipped at Canjeevara-அப்புலிங்கம், water-linga, worshipped at Tiruvanaicka--தேயுலிங்கம், fire linga, worshipped at Tiruvannamalay--வாயுலிங்கம், air-linga, worshipped at Tirukalatti-ஆகாயலிங்கம், ether-linga, worshipped at Sethumbaram. These are properly of a metaphysical or mystical character and belong to the arcana of Hinduism. The above designations are for popular use and are given from their physiological connection with the five bodies or casements of the soul, whose natural bases are the elements. earth, water, fire, air and ether, respectively. Among the initiated, the following are the terms employed, viz.: 1. ஸ்திரீலிங் கம், Streelinga--this is properly the organ entire--male and female with its functions; it is a figure (உரூபம்) the only one of the five to which form is ascribed. There is but one image, the representation of this. The சரிதை course of worship, i. e. the popular puranic course belongs to this. 2. புல்லிங்கம், this is defined to be உணர்வு; the course here is that of instruction and perception as to the action of the instrument, &c. To this belongs the கிரியை course of worship, the second great stage. 3. நபுஞ் சகலிங்கம், this is the stage of darkness, of neutrality, called the stage of darkness and doubt, and, as a course of worship, is included in the succeeding one. 4. பரமலிங் கம், this comes under the dominion of மயேச் சுரன், the concealer, and is called மறைப்பு; the course here is that of யோகம், the third great stage. 5. மகாலிங்கம், this is தெளிவு, the course of ஞானம், the last stage which exempts from births, and secures absorption in the supreme essence. Wils. p. 72. LINGA. இலிங்ககோளம், s. Glans penis. (Anat.) இலிங்கங்கட்டி--இலிங்கதாரி, s. One who wears the linga. இலிங்கசங்கமம், s. Symbols of the sexes united--probably a personification of the active energy of the deity and of matter, represented in metal. &c., or formed in the mind as objects of contemplation and worship. இலிங்கசூலை, s. A kind of venereal disease. இலிங்கபுடோல், s. The ஐவிரலி, creeper, Bryonia, L. இலிங்கபுராணம், s. One of the eighteen Puranas, புராணம்பதினெட்டிலொ ன்று. இலிங்கப்புற்று, s. A kind of venereal disease. இலிங்கரோகம், s. The venereal disease, ஆண்குறியில்வருமோர்புண். இலிங்கர்--இலிங்கிகள், s. Ascetics, Rishis who wear the Linga, சைவ தவப்பாலோர். இலிங்கி, s. An ascetic. 2. A worshipper of Siva, under the phallic emblem. 3. A hypocrite, a pretended devotee. ஸ்படிகலிங்கம், s. A linga made of quartz. பாணலிங்கம், s. A stone in the form of a linga--found in the river Nurbudda. பிரசாதலிங்கம், s. What is dedicated to Siva. பார்த்திபலிங்கம், s. Any thing assumed as an emblem of linga, and worshipped. சுயம்புலிங்கம், s. A linga supposed to be self-existent. சங்கமலிங்கம், s. A man of the Changama sect. குருலிங்கம், s. A spiritual father, a confessor. 17)

upāyam (p. 62) s. Means, contrivance, expedient, device, good or bad, skill in accomplishing an object, சூழ்ச்சி. 2. Stratagem, artifice, craft, shift, art, cunning, shuffling, intrigue, தந்திரம். 3. The means for bringing an enemy to terms, of which four are enumerated, viz.: 1. சாமம், conciliatory measures. 2. பேதம், sowing dissension. 3. தானம், gifts, presents. 4. தண் டம், chastisement, punishment (by war), அரசர்க்குரியவுபாயம். 4. [vul.] Smallness, சொ ற்பம். Wils. p. 16. UPAYA. உபாயக்காரன்--உபாயி, s. An artful person, a schemer, contriver, தந்திரக்காரன். உபாயஞ்சூழ, inf. To contrive, scheme. உபாயஞ்சொல்ல, inf. To give counsel. உபாயதந்திரம், s. Devices, craftiness, subtility. உபாயமானவிளையாட்டு, s. Artful cheating in play. உபாயம்பண்ண, inf. To adopt stratagems, to contrive, employ address, use means. உபாயவிலக்கு, s. [in rhetoric.] Artfully endeavoring to prevent an act, by representing the evil which will happen to one's self--as when a wife dissuades her husband from leaving her by declaring that, in case he does, she must die, ஓரலங்காரம். உபாயோபாயம், s. Various means or artifices. 2. Cunning for cunning in retaliation, &c. மோட்சம்பெறுமுபாயம்--மோட் சோபாயம், s. Means for obtaining eternal bliss. 52)

urakam (p. 63) --உரங்கம்--உரங்கமம், s. A snake, serpent, பாம்பு. Wils. p. 162. URAGA and URANGA, also URANGAMA. (p.) உரகபந்தம்--உரகபந்தனம், s. One of the curious kinds of poems called மிறைக்கவி. See நாகபந்தம். உரகமல்லி, s. The நாகமல்லி plant, Justicia nasuta, L. உரகர், s. [as நாகர்.] Snakes, serpents. 2. Samanar, or Jainas, a sect of Hindus, சமணர். (p.) உரகன், s. The chief of the நாகர் serpents said to have a thousand heads and to be the couch of Vishnu; the earth is represented as supported on one of its heads, ஆதிசேஷன். (p.) உரகாரி, s. Garuda, கருடன். Wils. p. 162. URAGARE. உரகாதிபன்--உரகேந்திரன், s. The chief of the serpents, அதிசேஷன். 29)

urupu (p. 65) s. Form, shape, வடிவம். 2. [in grammar.] A class of particles comprising four kinds, viz.: 1. வேற்றுமையு ருபு, the particles which form the declensions. 2. வினையுருபு, those that form the inflections of verbs including three species, (a) விகுதி, verbal terminations. (b.) இடை நிலை, characteristics of tense and several other intervening particles in the formation of verbs, derivative nouns, &c. 3. சாரியை, auxiliary, component particles employed in the formation of the two classes of verbs. 4. ஒப்புருபு, particles of terms of comparison. 5. The relative participles, ஆகிய, ஆன, &c., affixed to nouns to make adjectives of them. உருபுத்தொகை, s. The suppression of the characteristics of the cases --as மரநுனி. உருபுப்புணர்ச்சி, s. Sand'hi--the union of the particles of inflections with nouns and pronouns, வேற்றுமையுருபுமுதலிய புணர்கை. உருபுமயக்கம், s. The use of one case for another--as the dative for the local ablative, &c., வேற்றுமையுருபுமாறுகை. அமுதம்பூவையைக்கிள்ளையையருத்தி. Feeding the minor and parrot with milk--here the objectives are used for the dative. (நைட.) உருபுமாலை, s. Declension of nouns. உருபுவிரி, s. The expression of the case--as மாத்தினுனி. உவமையுருபு, s. A particle of comparison--as மதிபோலுமுகம், face like the moon. சொல்லுருபு, s. The use of a word for a particle representing the case--as, தடிகொண்டடித்தான், He beat with a stick-here கொண்டு is used for ஆல்; அவனைக்காட் டிலும்வலியன். This person is more powerful than the other. 23) *

urōkaṇi (p. 65) s. The fourteenth lunar mansion represented by a wheeled carriage and containing five stars of the bull, உரோணிநாள். 2. (p.) The mother of Baladeva, பலதேவன்றாய். 66) *

eẕu (p. 75) கிறேன், ந்தேன், வேன், எழ, v. n. To rise, ascend, get up, rise by one's own power, to rise as a thing by its own levity, rise as a heavenly body, a bird, a kite, &c., to soar, &c., எழும்ப. 2. To stir, be excited, roused, &c., மனங்கிளர. 3. To become resuscitated, rise to life, உயிரடைந்தெழும்ப. 4. To rise to eminence, தலைமைப்பட. 5. To rise and spread as a rumor, பரம்ப. 6. To rise as wind, clouds, &c., கிளம்ப. 7. To rise as a sound, singing, talking, clamor, &c., ஆரவாரமெழ. 8. To rise as a tree, grow larger, swell, to expand as breasts, increase in stature, rise as a building, shoot, sprout, spring up, உயர. 9. To happen, occur, arise, come on, சம்பவிக்க. 1. To become instrumental to, ஏதுவாக. 11. To remove from a dwelling, lodging, village, &c., குடியெழும்ப. 12. To rise in price, விலையேற. அவனுக்குக்கையெழவில்லை. His hand does not open to give any thing. அதைச்செய்யவெனக்குக்கைகாலெழவில்லை. My hands and feet would not stir (rise) to do such a thing. அதைச்சொல்லநாவெழாது. My tongue will not stir (rise) to speak so. கூரேயிறெழாதகுழவி. A babe that has not yet teethed. எழுஞாயிறு, s. The rising sun, உதயாதித்தன். 2. Quinsy, a mortal disease which begins with the rising sun; when it begins in the night it is termed படுஞாயிறு. (Mat. Ind. Opp.) எழுந்தபடி--எழுந்தமானம், s. At random, in an unpremeditated manner, carelessly, மனதிலேதோன்றியபடி. எழுந்தருள, inf. To rise, become present or manifest as the divinity in an idol on consecration; to be present as a great personage, &c., தோன்ற. 2. To repair to a place--as a sage, holy person, a king, &c., பெரியோர்வர. எழுந்தருளுநாயகர்--எழுந்தருளும் விக்கிரகம், s. The secondary idol in a temple, உச்சவவிக்கிரகம், representing the same deity as the first, carried about in processions while the other remains stationary--opp. to the மூலவிக்கிரகம். எழுந்தருள்படி, s. A procession of heathen gods. எழுந்திருக்க, inf. To rise, ascend, get up, &c., எழ, spoken chiefly of men. --Note. This is more full and expressive than எழ, alone. எழுந்துபோக, inf. To depart, to go to meet a person. எழுந்தேற்றம், s. A Roman catholic procession, உற்சவம். 2. Pride, selfconsequence, arrogance, பெருமை. 3. Rashness, presumptuousness, துணிவு. எழுமுகனை, s. The very beginning of a process, or period, தொடக்கம். எழுவான், s. The east, the place of sun-rising, oriens, கிழக்கு, eastern--opp. to படுவான். எழுவான்றொடங்கிப்படுவான்மட்டும். From east to west. என்வீட்டக்கெழுவானிலே. East of my house. எழல்--எழுகை, v. noun. Rising, ascent, எழுச்சி. எழுச்சி, v. noun. Rising, ascent, elevation, எழும்புகை. 2. Stir, excitement, activity, readiness, promptitude, முயற்சி. 3. Haughtiness, aspiring, ambition, resolution, இறுமாப்பு. 4. A disease, or soreness of the ears, காதிலெழும்புமோர்புண். 5. Inflammation of the eyes, கண்ணோயி லொன்று. எழுச்சிக்கொடி, s. Inflammation of the eyes causing red streaks, கண்ணிற் படருமோர்நோய். எழச்சிபாடுவோன், s. One who sings to rouse a prince, or a great man of a morning. துயிலெழுப்புதல்பாடுவோன். எழுச்சிமுரசம், s. A drum beaten to rouse a king, commandant, garrison, &c. of a morning, துயிலெழுப்புமுரசம். எழுச்சியிலை, s. A leaf to cure ophthalmia, கண்ணோய்மருந்திலை. படையெழுச்சி, s. A military expedition, marching to battle. பள்ளியெழுச்சி, s. A kind of poem sung to rouse princess, &c. from sleep. மேலெழுச்சி--மேலெழுந்தவாரி, [prov.] Superficiality. மேலெழுச்சியாய்ப்பேச, inf. To speak carelessly. மனவெழுச்சி, v. noun. Energy, persevering application. எழுமை, v. noun. Height, elevation, உயர்ச்சி. 11)

eẕukūṟṟirukkai (p. 75) s. A poem whose component words are represented by numerals in seven contiguous rows of long squares, each succeeding row increasing by one subordinate square on both sides, the topmost consisting of three squares. the next five, the next seven, &c. The numbers in each row begin and end increasing by one from the left as far as the middle square, and decreasing in the same ratio towards the right--thus the numbers in the first row, are 1, 2, 1; in the second, 1, 2, 3, 2, 1; in the third, 1, 2, 3, 4, 3, 2, 1, &c., and in the last two rows the numbers are the same. The symbolical poem is construed thus in the first row. 1, one god; 2, two feet; 1, one heart; i. e. Worship the two feet of the only true god with your undivided affections. ஓர்மிறைக்கவி. 1 2 1 1 2 3 2 1 1 2 3 4 3 2 1 1 2 3 4 5 4 3 2 1 1 2 3 4 5 6 5 4 3 2 1 1 2 3 4 5 6 7 6 5 4 3 2 1 1 2 3 4 5 6 7 6 5 4 3 2 1 12)

eẕuvāy (p. 75) s. Beginning, origin, source, cause, ஆதி. 2. [in grammar.] The nominative case, the subject, முதல்வேற்று மை; [ex எழு, rising, et வாய், place.] எழுவாயும்பயனிலையும். The nominative and its verb, or other concluding word.--Note. In Tamil the substantive verb is rarely used. இந்தக்கதைக்கெழுவாயென்ன. What gave rise to this affair? எழுவாயுருபு--எழுவாய்வேற்றுமை, s. The first, or nominative case, முதல் வேற்றுமை.--Note. The words ஆனவன், ஆனது, &c., which represent the nominative case are rarely expressed but understood. எழுவாயெழுஞ்சனி, s. The tenth lunar mansion, மகநாள். 23)

ēkōtiṭṭam (p. 77) --ஏகோதிஷ்டம், s. A principal part of the Shradd'ha or funeral rite performed at the house after the அந்தியேட்டி, for the benefit of the deceased, by the sons or other heirs. The officiating brahman personifies the manes of the deceased and receives whatever is presented, which should be sufficient for his support, till the anniversary of the death, during which he should not appear abroad or be seen by the heirs of the deceased whom he represents. See உத்திட்டம். Wils. p. 172. EKODDISHTA. 57)

aintu (p. 80) adj. or noun. Five, ஓரெண். ஐங்கணை, s. Five flowers feigned to be the arrows of Hindu cupid. (p.) ஐங்கணைக்கிழவன், Kama, the Hindu cupid, lit. lord of the five arrows, மன்மதன். (p.) ஐங்கரன், s. Ganesa, the five-handed. He is represented with an elephant's head, the proboscis or trunk is figuratively reckoned as a hand, விநாய கன். (p.) ஐங்கரற்கிளையோன், s. A name of Skanda, முருகன். 2. Verapattra, வீரபத் திரன். (p.) ஐங்கலம், s. Sixty marcals. ஐங்காதம், s. Five leagues. ஐங்காயம், s. The five kinds of காயம். (See காயம்.) 2. Other five kinds are used in witchcraft, viz.: 1. மிளகு, pepper. 2. வெந்தயம், dill. 3. ஓமம், cardamom. 4. வெள்ளுள்ளி, garlic. 5. பெருங் காயம், assaf&oe;tida. ஐங்காயத்தூள்--ஐங்காயவுண்டை, s. Powders of five ingredients given to women after child-birth, ஓர்மருந்து. ஐங்குரவர், s. The five superiors, ஐம்பெரியோர், viz.: King, அரசன்; guru, குரு; father, பிதா; mother, மாதா and elder brother, தமயன். In some classifications, உபாத்தியாயன் is placed instead of மாதா. ஐங்குழு, s. The five confidential servants of a king, அரசர்க்குக்குழு, viz.: 1. மந்தியர், ministers. 2. புரோகிதர், priests. 3. சேனாபதியர், generals. 4. தூதர், ambassadors. 5. சாரணர், spies. ஐங்கோணம், s. A pentagon, quinquangular figure, பஞ்சகோணம். ஐஞ்ஞூறு, s. Five-hundred, ஐந் நூறு. ஐந்தரு, s. The five trees in the world of Indra, பஞ்சதாரு, viz.: 1. அரிச்சந்த னம். 2. கற்பகம். 3. சந்தானம். 4. பாரிசாதம். 5. மந்தாரம். ஐந்தருநாதன், s. Indra, lord of the five trees in the celestial world, which yield whatever is asked or desired of them, இந்திரன். (p.) ஐந்தலைநாகம், s. A fabulous fiveheaded cobra, of which each head is supposed to contain a very precious gem. It is said to be found in mountainous districts and to have the power of flying. ஐந்தவித்தல், s. The control of the senses, ஐம்பொறியடக்கல். ஐந்தவித்தானாற் றலகல்விசும்புளார்கோமானிந்திர னேசாலுங்கரி. Indra, the god of the celestials, is a living monument of the wonderful power of those who control the five senses. (குறள்.) ஐந்தனுருபு, s. The fifth case (இன்) --one of the ablatives denoting procession, similitude, limit, and means, ஐந்தாம் வேற்றுமையுருபு. மலையின்வீழருவி. Torrents rushing from the mountains. காக்கையிற்கரிதுகளம்பழம். The களா berry is as black as a crow. மதுரையின்வடக்குச்சிதம்பரம். Sethamparam is situated to the north of Madura. கல்வியிற்பெரியன்கம்பன். Kampan made himself great by learning. ஐந்தாங்கால், s. The first post of the marriage shed when planted on the fifth day before the marriage, the third, fifth, or seventh day being chosen, as it may be lucky or otherwise, according to astrological calculation, மணப்பந்தரின் ஐந்தாங்கால். ஐந்தானம், s. The fifth lunar asterism, மிருகசீரிடம். (p.) ஐந்திணை, s. The five kinds of land, &c., ஐவகைநிலம். (See திணை.) 2. The closest friendship or love between husbands and wives, அன்புடைக்காமம். (p.) ஐந்திணைச்செய்யுள், s. A poem in which the five different kinds of soil are described and illustrated--one of the ninety-six பிரபந்தம், ஓர்பிரபந்தம். (p.) ஐந்துருவாணி, s. A shaft connecting the floors or stages of a car. See அ ஞ்சுருவாணி. ஐந்துறுப்படக்கி, s. The tortoise, ஆமை. (p.) ஐந்தொகைவினா, s. [in arithmetic.] The rule of five or double rule of three, ஓர்வகையெண்வினா. ஐந்தொழில், s. The five divine operations, பஞ்சகிருத்தியம், viz.: 1. சிருஷ்டி, creation or reproduction. 2. ஸ்திதி, preservation. 3. சங்காரம், destruction, reduction of things to their primitive elements. 4. திரோபவம், that act of the deity by which he conceals from the sentient soul its future destiny for purposes of moral discipline; concealing, obscuring; i. e. involving the soul in ignorance or illusion by means of magic. 5. அனுக்கிரகம், grace, the various means adopted for the deliverance of the soul from the power of illusion and consequent transmigrations. See கிருத்தியம். ஐமீன், s. The thirteenth lunar asterism, அத்தநாள். (p.) ஐமுகன்--ஐயானனன், s. Siva, the five-faced, சிவன். (p.) ஐமுகாஸ்திரம், s. A five-pointed arrow, பஞ்சமுகாஸ்திரம். (p.) ஐம்பது, s. Fifty. ஐம்பத்தொன்று, s. Fifty-one. ஐம்பால், s. [in grammar.] The five பால், or the genders and numbers, ஐந்து பால். 2. The five modes of dressing a woman's hair, ஐவகையாகமயிர்முடிக்கை. 3. The hair of a female, மகளிர்கூந்தல். See பால். (p.) ஐம்புலம்--ஐம்புலன், s. The five senses, பஞ்சவிஷயம். ஐம்புலத்தடங்கான், s. He who is not comprehensible by the five senses-God, கடவுள். (p.) ஐம்புலம்வென்றோர், s. Ascetics, holy persons, முனிவர். (p.) ஐம்புலனடக்கல். Subjugation of the five senses. ஐம்புலனுகர்ச்சியினிறப்பன, s. The five kinds of creatures which perish by means of the senses, viz.: 1. சுவையரல்--மீன், fish, by the taste in catching at the bait. 2. நாற்றத்தால்-வண்டு, beetles, by the smell. 3. ஊற்றினால்-யானை, elephants, by copulation. 4. ஓசையால்-அசுணம், a species of bird by harsh sounds. 5. ஒளியால்-விட்டில், a species of insect, attracted by the light. ஐம்புலன்விழையான், s. An ascetic, முனிவன். (p.) ஐம்புலாதி, s. [prov.] Anxiousness, being full of cares. ஐம்பூதம், s. The five elements, பஞ்சபூதம். ஐம்பொறி, s. The five organs of sense, பஞ்சேந்திரியம். ஐம்பொறிநுகர்ச்சி, s. Enjoyment of the senses, பொறிபுலனைக்கொள்ளுகை. ஐம்பொன், s. The five kinds of metals, பஞ்சலோகம். ஐயாயிரம், s. Five-thousand, ஐந்தா யிரம். ஐயைந்து, s. Five times five. ஐவகைப்பொழுது, s. Five divisions of the day, சிறுபொழுது, viz.: மாலை, யாமம், வைகறை, எற்பாடு, நண்பகல். ஐவகைப்பொன், s. See பஞ்ச லோகம். ஐவகைமயிர்முடி, s. The five methods of dressing women's hair. See ஐம்பால். ஐவகைவினா, s. Five modes of interrogation for the solution of doubtful subjects. See வினா. ஐவர், s. The five பாண்டவர், or sons of பாண்டு, viz.: 1. தருமன். 2. வீ மன். 3. அருச்சுனன். 4. நகுலன். 5. சகாதே வன். 2. (fig.) The five senses in the language of ascetics, ஐம்புலன். ஐவரையடக்கி. Subjugating. the five senses-- ஐவருக்குந்தேவி, s. Dropada the wife of the Pandavas, துரோபதை. ஐவாய்மான், s. A cow, பசு. (திரு விளை.) (p.) ஐவாய்மிருகம், s. A bear--so called from the prehensile power of his four feet and mouth, கரடி. (p.) ஐவிரலி, s. [commonly ஐவேலி.] A creeping plant whose leaf is supposed to resemble the fingers, a pentadactyle, ஓர்கொடி, Bryonia laciniosa, L.-Note. In this plant the god Siva is said to have concealed himself when pursued by பஸ்மாசுரன், who had, by penance, obtained from him, as a boon, power to destroy all on whose head he should place his hand. ஐவிரல், s. The thirteenth lunar mansion, அத்தநாள். (p.) ஐவேலி, s. A place sacred to Siva, ஓர்சிவஸ்தலம். 2. A creeper. See ஐவிரலி. ஐவைந்து, s. Five of each, &c., ஐந்தைந்து. 11)